Dad often asked, “Who’s singing this?” I could picture him on the other end of the line holding his phone out toward whatever speaker emitted the unidentified sounds, whether he was at home, in his car, or standing in the middle of a store with his arm jutting toward the ceiling.
He did this even though I usually couldn’t hear the song. Knowing his taste for what I’ll dare to describe as self-indulgent pop/rock, I could usually figure it out through some detective work. (My ability to assist declined in later years when he developed an inexplicable affection for “smooth jazz.”)
Everybody loves music–it’s a cultural cliché–but Dad’s love of music was an ongoing surprise to me. He had nearly zero musical talent and had trouble staying in tune while humming more than three notes in a row. Nevertheless, he constantly tried to make music, as if it were aural exhaust from the engine that drove him. His nasal, high-tenor doo-dee-doot-doos seemed less an expression of the music he admired than a personal soundtrack, the fully orchestrated version of which only he could hear as the protagonist of a very jolly movie.
Dad bought the Flashdance soundtrack, mainly for “Maniac.” He bought Styx’s Kilroy Was Here, mainly for “Mr. Roboto.” But he liked weirder stuff, too, by which I mean pop weird stuff, specifically the pop weird stuff I liked. He of course had to take little jabs at my music before humming along (so dorky!). At least he didn’t mindlessly settle for Lionel Richie’s easy listening vibe or Laura Branigan yelling her face off. And it really did matter to me that to some extent he liked the music I lived for.
He drove me to buy Duran Duran’s monster mix of “Wild Boys” when it was released early at a record store across town. I was 14, and this exciting event occurred at midnight, but although it would have been logical to wait, I had to have that record as soon as possible or else I would surely die. As we waited in line to pay, I had to suffer his mangled pronunciation of “DOO-ran DOO-ran.” I worried the obviously very cool girls in front of us would harshly judge me, but they were busy talking about which band members were the hottest. One of them said, loud enough for the entire store to hear, “I would totally fuck John Taylor’s legs off!” My dad, distracted by his internal soundtrack, didn’t flinch.
One perfect, angst-free afternoon, he was driving us somewhere in the Celica and let me listen to Men Without Hats on cassette, and not just “Safety Dance,” but all of Rhythm of Youth. His favorite album at that time was Eurythmics’ Sweet Dreams (Are Made of This). I had bragged to all three of my friends that he’d bought it for himself. He would mutter about Annie Lennox’s orange buzz cut (“I had that hair cut in high school!), but he couldn’t deny the power of that voice or the comforting beauty of analog synths as we rolled down the highway.
For his visitation and memorial service, my sister, brother-in-law, and I agreed there was no damn way we would fill the service with dirges. We’d stir some emotions, perhaps, but the playlist had to consist of his favorites. Each of us selected a few songs we knew he loved. We had to include some live Frampton featuring the talk box. (I mean, duh.) But the first song we decided on was Cher’s “Believe.”
The man was seriously Cher-crazy when that song was released. He recorded her concert on HBO and sent the tape to me. My partner and I couldn’t afford premium channels, and he didn’t think we should have to miss it, assuming we’d love it as much as he did. Ironically, Cher was the first diva I ever worshipped, but by then I’d forsaken her and was all “what-has-Cher-really-done-since-Moonstruck?” I didn’t even watch his tape, but I didn’t want to hurt his feelings. He went to his grave not knowing.
Besides, I figured that if he could put up with my school-age fascination with Cher and all those years of my Madonna mania, I could support his adorably giddy version of fandom. It wasn’t as if karaoke was a feasible means of expression for him. He probably could have carried the tune (barely), but would he have risked revealing so much of himself in front of strangers?
I came to feel honored he would let me hear him humming, which underscored so many of our moments together, moments I had thought were pointless. I felt he was letting me know the music he made was really for him, and that making it was the point.
When he died, I didn’t notice it was almost six months to the day after his birthday. Only six months earlier, on January 27, he spent his birthday in the hospital, supposedly for pneumonia, but Mom thinks the doctor who looked at the x-ray could already tell it was something worse than that.
I spent half a year preparing for the aftermath I’ve been experiencing now for the subsequent half-year, unaware of this potentially meaningful bit of numerical trivia, as if I might be able to change everything if I could force the right meaning on it. All I’ve learned is that when I hear a song I think Dad would like, I should abort the phone call before pressing “send.”
A few weeks ago, I heard a voice say, “And don’t expect him to call you, either,” which was slightly yet significantly different than remembering not to call a dead man. It was like watching his casket sink into the ground again, only this time without the benefit of running on an adrenaline high.
It’s really not so bad. I’m functioning, and overall life is good. It’s painful only in the way it leaves me feeling disoriented. There are so many songs and other found inspirations I want to share with him because only he would get why they’re important to me. I consider what he might say. My best guesses feel counterfeit, overproduced. What I need more than anything, just for a while, is silence.